Short documentary on the music of the 'prefab four', The Rutles. Shabby Road is where the band recorded most of their music, and it is the name of an album by The Rutles, released on 26 September 1969, their last recorded album, but not last released (Let It Rot). Tracks 9-17 form a medley sometimes noted as one song called "The Shabby Road Medley". Tracks 14-16 are sometimes noted as one song called "The Bronze Blunders Medley". On the cover, Stig is depicted without trousers. This was one of the key "clues" which inspired the 'Stig is dead' conspiracy theory, which still lasts today in some circles. Stig later referenced these theories on his life album, Stig is not a wax replica please stop asking.

Short documentary about the making of the film 'The Rutles: All You Need is Cash'.

This documentary traces the lives of Gibb brothers and takes a look through their memories, creating some of the greatest hits in the world as the Bee Gees. Including interviews, archive footage, and new versions of classic songs - all recorded in the lead up to the release of their 'Still Waters' album in 1997.

It's a wet summer day on upstate New York's Route 90. A serial killer is loose from the local penitentiary. A hymn-singing grandma picks up a shadow-boxing hitchhiker. She offers him a ride to the end of the road, where Route 90 hits the Interstate.

Itinerant Scot performers: One daughter of a veteran trouper weds a ne'er do well and dies in childbirth.Her spendthrift man goes but later returns to bleed the old man out of remaining savings.Another daughter makes good as a singer.

Having been given enforced retirement due to his age, Mick-Mack creates strain upon his extended family.

A single mother and her young daughter are driving on a desolate road in a moonless desert. After meeting a young female hitchhiker at a gas station, the mother realizes her daughter is missing. As they search for her, a merciless force begins to torment the two women, unraveling a world of terror they must survive if they are to discover the terrifying truth behind the daughter’s disappearance.

In 1820 a disowned gambler becomes a boxer and save his noble uncle from a highway man.

Retrospective on the making of "Mad Max 2".

The first part puts two families of puppets at odds over a job promotion; the second features Meryl Streep in romantic duets with a dummy (who is voiced by Adam Guettel); the third shows the legged objects, embodied by the Alvin Ailey 2 company, taking the stage to audition for their roles. With no movie technique (but a great cameraman, Ed Lachman), Simmons has assembled her interests as if in a toy chest: old movies and TV commercials, Broadway songs, good-to-feel-bad bathos, and the effluvia of domestic life. Whether intentionally or not, Simmons has made a film about the inevitable post-Warhol art-world nexus of irony, finance, and glamour, a luxury object of empty intentions that the viewer fills with his own need for art, just as the second act’s real-world woman endows a dummy with her romantic hopes and dreams.